Archive for the ‘Uncategorized’ Category

Cover for A Gentleman Undone

A Gentleman Undone, the second book in my Blackshear Family series, is on sale for 99¢ at all fine e-book retailers!

Amazon: http://www.amazon.com/Gentleman-Undone-Blackshear-Family-Book-ebook/dp/B005OCYRSK/

Barnes & Noble Nook: http://www.barnesandnoble.com/w/a-gentleman-undone-cecilia-grant/1105808591

Kobo: https://store.kobobooks.com/en-us/ebook/a-gentleman-undone

iTunes: http://itunes.apple.com/gb/book/isbn9780553593846

This is my conscience-ridden-soldier-meets-ice-in-her-veins-cardsharp story, featuring tortured pasts, forbidden attraction (she’s another man’s mistress), and, possibly unique in the historical-romance canon, an explanation of the Monty Hall Problem.

You don’t have to have read the first book, A Lady Awakened, for this one to make sense–hero Will is the brother of ALA‘s heroine, but he doesn’t even appear in that book (being off at Waterloo). His story starts fresh here.

Read an excerpt, some accolades (RT Reviews magazine named it Best Sensual Historical Romance of 2012), and even a deleted scene at the book’s page on my website.

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Update 10/31 – congratulations to commenter Julie, picked by random.org to win the signed Elizabeth Hoyt book. Julie, I’ve emailed to get your mailing address. Thanks to everyone who entered. I’ll try not to let so much time go by before my next giveaway :)



First, have you all heard of the Historical Romance Retreat? It’s the brainchild of authors Renee Bernard and Delilah Marvelle: an all-historical-romance reader event in the posh (and historical!) Davenport Hotel in Spokane Washington next September.

In a magical historical hotel setting, this weekend retreat is a book lover’s dream come true. Join some of the world’s most celebrated authors of historical romance coming together for an intimate gathering that gives every guest a chance to mingle and play. Dress in your favorite era, enjoy historical foods, games and music while surrounded by the glamour of a hotel that was once only enjoyed by the elite.

A truly impressive lineup of authors will be there, from rising stars like Piper Huguley and Christi Caldwell to iconic names like Linda Lael Miller and Mary Balogh.

I’ll be there too, and in between starry-eyed stalking of Mary Balogh (who gave me my first cover quote and who is also a hero of mine) and attempts to get up my nerve to ask Eileen Dreyer what it was like to be on Jeopardy!, I’ll be hoping to meet lots of readers. So if that sounds like your kind of conference, check out the registration page. Discounted early-bird rates are currently in effect!

And while we’re speaking of conferences, last weekend I attended my local RWA chapter’s Emerald City Writers’ Conference. It was full of good workshops and chances to catch up in real life with online friends (in case you wondered, *Rose Lerner is just as giddy about Hamilton in conversation as she is on Twitter), and I also came home with a few books, most notably *Elizabeth Hoyt’s down-on-her-luck-actress-meets-mysterious-mute-gardener tale Darling Beast.


Hoyt was at the conference as a keynote speaker, and I got her to sign the book! Check out her awesomely elegant signature:


The sharp-eyed among you will have noticed the word “giveaway” in this post’s title, and indeed I’m giving away this beautifully autographed copy of Darling Beast. Leave a comment on this post (no pithiness required; “I want to win” is fine) by 11:59:59 pm Friday, October 30, and I’ll pick a winner with the help of random.org.

This giveaway is open to US addresses only. You don’t need to put your email address in your actual comment, but do put it in the email field when posting your comment. That way I can get in touch with you if you’re the winner, but you won’t be throwing your email address out there for the whole world to see.

*also will be present at the Historical Romance Retreat

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Today alert reader Karen alerted me to the fact that somewhere on Goodreads, the release date for my holiday novella, A Christmas Gone Perfectly Wrong, is showing as November 1.

This is not correct. I’m not sure how this information could have gotten onto Goodreads (I’m self-publishing the novella, so theoretically I should be the sole source for all info relating to it [though I was delighted to see someone else added the book, with cover image, to my inventory there, because now I don’t have to spend the time figuring out how to do that]), unless they saw that I said it was “coming in November,” and decided to just translate “November” to “November 1.”

So let it be noted that when November 1 comes and goes without my novella releasing, it’s not because I don’t have my act together! It was never supposed to be November 1!

I don’t have an exact release date yet. In my heart of hearts I’d like to not publish it until December, because that’s when Christmas is and I’m grumpy about holiday creep. But realistically, I know that would mean missing out on a big chunk of the holiday-novella-buying season. (Or in my case, holiday-novella-downloading season, since it’s going to be free.) So, some time in November. Maybe right before Thanksgiving. I have to do the formatting and uploading myself, and I’ve heard this often doesn’t go smoothly for first-timers, so I’m reluctant to pick a specific date and then slide past it.

Let me take this moment to say how grateful I am for everyone who’s stayed interested in seeing a new book from me after what I know is an uncommonly long lapse in publication. (For two months now I’ve had a blog post in my “drafts” folder that details some of the life-stuff consuming a lot of my energy over the past year or so, but I haven’t pressed “publish” because it feels like TMI and also because it might not be relevant. Even when the rest of my life is cooperating, I’m always going to be on the slower side compared to most writers in this genre.) I’m grateful for being visible on Goodreads, too. Even if it does make me look like I don’t have my act together. To be honest, I often don’t.

I promise Andrew and Lucy’s story will be out there soon. Just not quite that soon!

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Here’s a link to a no-holds-barred negative review of a book I haven’t read, Samantha Young’s On Dublin Street.


At the risk of coming off like a heartless jerk and a shoddy member of the sisterhood of romance writers, I have to say I love this review. I’ll try to unpack why:

1. Let’s consider the basest motivation: spiteful jealousy. It’s possible that some part of me is thinking, “Ha, take that, writer whose book is way more commercially successful than any of mine!” I’m not aware of that being a factor, but it seems hubristic to claim I’m completely above that kind of pettiness, so I’ll put that out there and let it sit.

2. Writing quality: the review is articulate, well-organized, and funny as hell.

Over and over, each time there’s a bad-review kerfuffle, I’ve heard the assertion that negative reviewers are just jealous failed novelists, or, less specifically, people who engage in destruction because they’re incapable of creativity.

Hogwash. A well-argued, entertaining review–positive or negative–is a product of skill, hard work, and creative spark, and it deserves our respect. Even a single snarky zinger takes talent and inspiration to craft. (Seriously. I’m a novelist, and I put a lot of time and work into what I write, and I can guarantee you I will never come up with as substantive a contribution to our culture as Dorothy Parker’s “This is not a novel to be tossed aside lightly; it should be thrown with great force.” Or Oscar Wilde’s  “One would have to have a heart of stone to read the death of little Nell without dissolving into tears…of laughter.” Or Marion Adams’s observation that Henry James “chewed more than he bit off.” [Burn! Love that one.])

3. Catharsis. This is an example of the bad-review subset that I think of as the “Emperor’s New Clothes” review. I’m sure we’ve all had the discordant experience of reading a book and thinking “This made the best-seller lists / has three hundred five-star reviews / won a RITA / is what Salon.com bloggers deem worthy of praise? Are you kidding me??” When you’re feeling out of step with the majority (or prominent) opinion, there’s a visceral relief in finding a review that emphatically confirms your own perception of reality.

And like many cathartic reviews, this one derives much of its impact from…

4. Passion + outrage. What’s wonderful about the outraged review (see also Jenny Trout’s epic chapter-by-chapter gutting of the Fifty Shades books, for example) is that the outraged reviewer cares. The subtext of the outraged review isn’t “Oh, ha ha ha, let me exercise my wit at the expense of this subpar romance novel.” It’s “Dammit, romance novels need to be better than this. I expect more from romance.” There’s no way that’s not a good thing.

Demanding readers, whether they demand competent sentence mechanics, better representation of under-represented populations, more thorough world-building, or more progressive male-female power dynamics, are crucial to the continuing growth of any genre. The readers who step up and say “Not good enough. I expect more” are the readers who push us–however uncomfortably–to do better.

Being the embattled and frequently dismissed genre that we are, we’ve gotten pretty good at making eloquent cases for the value of romance. But sometimes these arguments go a little far in generalizing and flattening out the genre. “As long as people are reading, that’s all that matters” and “Quality is subjective anyway, so it’s really just a question of personal preference” are arguments I’ve seen more than once in these discussions.

I’m not crazy about those particular arguments because they seem to preclude real critical engagement. I’d rather work from the assumption that our genre is robust enough to withstand vigorous criticism of individual works. And “vigorous criticism” isn’t always going to come out tactful or constructive. Outrage and snark have a place in the big conversation.

So does this mean I’d enjoy reading a snarky takedown of one of my own books? Heck no; I’m not that thick-skinned. What it does mean is that I don’t begrudge anyone else their enjoyment of snark directed my way, and I don’t begrudge any reviewer’s right to write it. As long as you’re not emailing it to me (please don’t email it to me), it’s easy enough for me to stay ignorant of, anyway.

A couple (or four) things more–

1. If Samantha Young did see the review linked above, I think she’d have every right to feel hurt and angered by it. Not “butthurt;” not overly indulgent of her “precious fee-fees;” not any of those other terms we employ these days to de-legitimize someone’s emotional response. Presumably she invested a lot of herself into the writing of the book; it’s only natural that it would sting to see her work emphatically trashed.

It’s not reviewer Rachel (BAVR)’s job to consider Young’s feelings, but that’s not because Young’s feelings aren’t valid–it’s because that’s just the nature of the author/reviewer divide. I don’t think we need to look for evidence that Young (or E.L. James, or whoever) is a petty or malicious or otherwise undeserving person in order to justify the harshness of the review.

As long as she doesn’t air her grievances in a way that (intentionally or not) results in her fans harassing the reviewer, then I don’t think it’s my or any other reader’s place to suggest a poorly-reviewed author “pull up her big-girl panties” or “dry her tears with her royalty statements” (if she’s at the royalty-statement level of success) or anything of that sort.

1a. I think the whole “console yourself with your royalty statements” thing is a fallacy. If you’re the kind of writer who places a lot of stock in reviews, I don’t think there’s any level of commercial success that insulates you from the sting of the bad ones. Thus I don’t buy into the idea (which is maybe more common among authors who review than among readers who review) that it’s somehow ethically better to savage a wildly successful book than one by a little-known debut author.

Besides, if the reviewer’s goal (or at least one of them) is to warn readers away from bad books, then it shouldn’t matter who the book came from.

2. Is there such a thing as a “bullying” review? I don’t think so. I have a pretty stringent definition of bullying (one day, if your luck runs out, I’ll tell you the story of what grades 6 through 8 were like for me) and I don’t think a review, which the author has the option of not reading, rises to that level.

2a. Is there such a thing as a review that’s too mean, though? Yeah, I think there is, although I haven’t yet figured out how and where I draw that line. A while back I read a post by the author Sarah Rees Brennan in which she mentioned a YA author friend of hers whose first review on Goodreads–right at the top of the review list; the first one anybody browsing her book page encountered–said simply “Why are all YA authors fat?” I don’t think that’s bullying, specifically, but I do think it’s a BS usage of a review space, and I won’t weep for free speech if Goodreads takes a “review” like that down.

Similarly, that sneering New Republic Fifty Shades slam-fest of a few months back (which was technically a review of a book about Fifty Shades) crossed the line from fiery criticism to gratuitous nastiness in its generalizations about FSOG readers and its insistence on referring to E.L. James by her private-life name rather than the name under which she writes. It’s the New Republic’s right to print something like that, but doing so made me think a lot less of them.

On the other hand, a little while after reading the New Republic article I read a brutal NY Times review of the latest Adam Sandler film and didn’t find it objectionable at all, and I’m not sure how I’d make the distinction. It’s not just that the NR piece got into personal criticism, because there were some fairly personal jabs at Sandler in the NYT review too. So I don’t know. I may just be inconsistent in my positions.

And that’s enough out of me. I’m curious to hear others’ thoughts. Do you enjoy bad reviews? Do you enjoy all bad reviews, or are there some that go too far–and if the latter, where do you draw that line? Do you think Adam Sandler is funny, and people should stop picking on him? Let me know.


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In the interest of promoting a climate in which readers feel free to review frankly with no fear of reprisal or secret passive-aggressive hostility, here’s my position on reviews, as well as on some related issues.

The short version:

  1. I don’t ever look at Amazon or Goodreads reviews unless a reader emails me with a link to her/his review.
  2. I don’t google myself, and currently I don’t use Google Alerts.
  3. I believe negative reviews are a crucial part of a healthy Romanceland ecosystem. This includes:
    • snark-filled reviews
    • simple “thumbs down” reviews that don’t elaborate on the flaws
    • lengthy reviews that employ critical theory
    • reviews with and without .gifs
    • negative reviews of my own books
  4. I don’t use a street team (I’m uncomfortable with even the more benign incarnations) and I doubt I have the kind of fan base that could be mobilized to attack reviewers. But in case I’m wrong about that, Fans of mine, please know that I don’t ever want you attacking people for leaving me negative reviews.

The long version:

This might be long enough that I need to break it up into more than one post. We’ll start, anyway, with the evolution of my position on reading reviews, and with it, my gradual understanding/appreciation of the concept of author-free spaces.

So. Once, in the primordial dawn of my career as a published author, I commented on a reader’s review. It was fairly innocuous as these things go – it was a very nice review, and I, not yet grasping that not everyone who loves your book wants to be your new best friend, bounced into that space and said something about liking the review.

This wasn’t the first time I’d interacted with this reader – we’d exchanged emails over the logistics of a giveaway she’d entered, and then I’d seen somewhere (twitter?) that she’d liked the book, and I’d said something to her about that, and so by this time I suspect I came off as flat-out creepy and stalkerish. Her reply to my comment on the review was perfectly polite, but it was obvious I’d made her uncomfortable, and I hate making people uncomfortable, so I decided to never again comment on, or like, a reader’s review. (I know there are readers who appreciate getting “likes,” but I’d rather risk disappointing them than risk making the other kind of reader feel like their author-free space has been ickily intruded on.)

Similarly, when my first book got reviewed at All About Romance, they emailed me to let me know, and also included a link to the discussion thread for my book. There was a discussion thread for my book! People had read A Lady Awakened, and had things to say about it, and a lot of people liked it very much! It was thrilling to read at first, but right around the time I got to the second page, it really sank in that these people were not expressing their opinions with me as the intended audience, and that in fact they’d probably be creeped out if they knew I was looming over the conversation like some obsessive, validation-craving Big Brother.

I quit reading the Lady Awakened discussion thread, and, when A Gentleman Undone came out some months later and AAR emailed me to let me know that book had a thread too, I never looked at it. In general I just feel better about myself if I keep out of those spaces; plus by avoiding the Amazon and Goodreads reviews, I also avoid the possibility of flipping out and having a high-visibility meltdown over a bad review. Wins all the way around.

Gradually I’ve cut back on my reading of blog reviews as well. I used Google Alerts in the beginning, and was Alerted to some tremendously gratifying reviews. I’m still grateful to have seen them, and even more grateful to have been led to some wonderful blogs I might not otherwise have discovered.

But I’d heard a lot from other writers about how avoiding all reviews was beneficial to their sanity, so around the beginning of last year I turned off my Google Alerts. And I haven’t really missed them, nor have I felt like seeking out reviews. I’ll still read one if a reader emails me with a link, or occasionally if one hits my radar on social media. But otherwise I tend to stay away from reviews or discussions of my books, and it seems to work pretty well for now.

I suppose I could have omitted the last six paragraphs and skipped straight to telling you that I support your right to leave me bad reviews. But there might be readers for whom “I’m not likely to even know you left me a bad review” makes a better assurance than “I promise I won’t hold your bad review against you,” and I want those readers, as well as the ones to whom candor comes more easily, to feel free to review frankly.

Okay, I’m over 800 words so I’ll cut this off here. In my next post I’ll finish up with thoughts on bad reviews and also talk a little bit about street teams and maybe some related subjects.

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Last week a member of our romance community, author Jackie Barbosa, lost her teenage son in a car accident.

As the mother of a child the same age, I was originally going to write next, but I don’t think it really makes a difference. You don’t have to be a parent to have some inkling of the devastation Jackie and her family are experiencing now.

It’s hard to know how to show sympathy, or be of use to a grieving family, when your acquaintance is virtual. But author Courtney Milan had an idea: during this time when book promotion is probably the last thing on Jackie’s mind, maybe the rest of us could step up and talk about her books, and take at least a part of that burden off her shoulders.

Jackie writes contemporary romance, historical romance, and erotica. Her complete list of books is here.

HUTCA book of hers that I’ve read and enjoyed is the novella Hot Under the Collar, a spicy but surprisingly sweet story of romance between a vicar and a fallen woman. Particularly charming is the journey of hero Walter Langston, who falls into the job half-reluctantly, with no real interest in scripture or delivering sermons, and to his own surprise finds himself growing invested in, and eventually skilled at ministering to, the people who make up his parish community.

Jackie’s site has a lot of samples, and a few downloadable free reads as well. I encourage you to give one of her books a try.

And if you’d like to donate to the memorial fund for her son, Julian, author Beverley Kendall has the details, with a PayPal link, on her blog. Donations in any amount are appreciated.




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Edited to add: Okay, it turns out all three of my audiobooks are 50% off at Tantor! A Gentleman Undone hereA Woman Entangled here. And it looks like the sale lasts through 2/28.

I know; I know; it’s been forever since I posted anything here. This last year has been a rough one (if I can get sanguine enough about it, one of these days I’ll tell you the story of My Jaw-Dropping Mistake That Ruined Christmas For The Entire Family, which is one of the few chapters from last year that even bears sharing), and I’ve tried to funnel what writing energy I’ve had into book-writing instead of blogging.

But I wanted to let you know that the audiobook of A Lady Awakened is currently 50% off at Tantor Audio. Not sure how long the sale will last, but if you’re a fan of audiobooks, that seems like a good price.

If you haven’t read A Lady Awakened yet, and want some convincing, here’s a very nice recent review.

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This drawing is now closed. Random.org has picked commenter beckymmoe as the winner of Susanna’s book. Congratulations to beckymmoe – I’ve sent your email address to Susanna; you should be getting a message from her soon!

It’s always a pleasure to welcome my favorite romance-writing military-history geek to the blog. Susanna Fraser stops by today to talk about her just-released novella, A Dream Defiant, and to give a copy away! Read on:

Cover for A Dream Defiant

Spain, 1813

Elijah Cameron, the son of runaway slaves, has spent his whole life in the British army proving that a black man can be as good a soldier as a white man. After a victory over the French, Elijah promises one of his dying men that he will deliver a scavenged ruby necklace to his wife, Rose, a woman Elijah has admired for years.

Elijah feels bound to protect her and knows a widow with a fortune in jewels will be a target. Rose dreams of using the necklace to return to England, but after a violent attack, she realizes she needs Elijah’s help to make the journey safely.

Her appreciation for Elijah’s strength and integrity soon turns into love, but he doubts she could want a life with him, knowing the challenges they’d face. As their relationship grows, she must convince Elijah that she wants him as more than a bodyguard. And she must prove that their love can overcome all obstacles, no matter the color of their skin.

Q: You’re an author who takes research very seriously. Did you find yourself setting an even-higher-than-usual standard of accuracy when it came to writing a protagonist of a different race from your own? And were there moments when you doubted your ability, or authority, to tell Elijah’s story in an authentic way?Susanna Fraser

A: I definitely wanted to be as accurate as possible, because I was writing about a culture and ethnicity that isn’t my own and one that, to be frank, has been systematically harmed by my native culture. That said, I was limited by the relative paucity of source material. (Although, as always, I’m sure there’s more out there I simply didn’t find–at some point you just have to take off your researcher hat and put the writer one on.) For example, I found scattered references to black soldiers, but I never found a detailed history of a man in Elijah’s position, so I was left to extrapolate what his experiences might have been like.

And I definitely had many moments of self-doubt about whether I should or could tell this story. Ultimately what helped was realizing that I didn’t have to tell the entire story of the black experience in 19th century Britain–that such a thing was FAR beyond the scope of one novella-length historical romance, to put it mildly. All I needed to do was tell a slice of ONE character’s life story. That much I could do.

Q: Like your debut, The Sergeant’s Lady, A Dream Defiant features a heroine widowed while following her husband at war. What is it about the plight of the “following the drum” widow that compels you as a writer?

A: I find myself drawn to widowed heroines in general for a very simple reason–it allows me to write older, sexually experienced heroines who aren’t necessarily “bad girls” or otherwise possessed of a complex or unusual backstory. They’ve been married, happily or otherwise, and now they’re widowed, which in a world with no antibiotics and only rudimentary trauma medicine is ridiculously easy for a writer to make believable.

As for widows following the drum, Rose’s circumstances in A Dream Defiant are quite different from Anna’s in The Sergeant’s Lady. As an officer’s widow and a daughter of the aristocracy, Anna had the resources to return home, and the social expectation that she would observe a normal period of mourning for her husband. Of course that’s not (quite) what happened, given that her husband’s death freed her from a miserable, abusive situation and she quickly met and had adventures with the RIGHT man.

Enlisted soldiers’ widows like Rose, however, were expected to remarry quickly. Each company was allowed a small number of wives officially “on the strength” (generally six), and once a woman was widowed, she lost the right to draw rations for herself and her children. Few women could afford to go home or had a way to support themselves and any children if they did, so most of them remarried almost immediately. I’d read about such women in my initial research for The Sergeant’s Lady, and I was drawn to the poignancy of having to choose a second husband so soon after burying a first one, especially for a woman who loved, or at least was fond of, her first. In fact, that was my initial inspiration for A Dream Defiant.

Q: Rose and Elijah marry for a fascinating mix of reasons, some pragmatic – she needs the protection of marriage; he likes her cooking – and some less so. Was it tricky to establish their mutual attraction in a way that wouldn’t detract from Rose’s sincere mourning, for, and Elijah’s friendship with, her first husband?

A: It was definitely a balancing act. I didn’t want Rose’s first marriage to have been wholly unhappy. I’ve written unhappy first marriages before and will probably do so again. Still, I do feel like it’s the easy way out with a widowed heroine, so I don’t want to go to that well too often. But I also wanted her to find something more with Elijah (this being a romance, after all). So I tried to show without being too heavy-handed that Elijah shared brains, drive, and frustrated ambition with Rose that would enable them to be more together than either were apart, while her first husband had been more of a dead weight. An affectionate, kind, well-meaning dead weight, but one who’d been holding her back all the same.

Q: The couple encounters a spectrum of responses to their marriage, among their regiment and later back in England. Were certain places or populations more welcoming than others to an interracial couple at the time?

A: Interracial marriages were far more accepted in England than in America during this period–really at any point during the 19th century. The fact that England itself wasn’t a slave society (though it still had slavery in some of its colonies) seemed to make its people more willing to accept blacks as equal to whites of similar financial and/or occupational status. Class mattered more than race in a lot of ways. By that measure Rose and Elijah are essentially equals. If anything, Elijah, who is relatively well-educated and has a colonel for his family’s (occasionally patronizing) patron, ranks a little higher.

That said, there was of course plenty of racial prejudice. For one thing, the stereotype about black men’s penis size and sexual prowess already existed, so we see a bit of that from some of the more prejudiced soldiers speculating on why beautiful Rose, who could have her pick of men in the regiment, chose Elijah. In general, I got the impression from my research that the degree of prejudice varied a lot from person to person, just as it does now, so I wrote my characters’ experiences accordingly.

Q: Rose has a passion and a gift for cooking. I know from your blog that you’re an avid hobby cook yourself. What was it like to write a character who shared one of your own avocations?

A: Because of my interest in cooking, I’d been wanting to write a cook or chef character for quite awhile. It’s easier to connect to a character when you share a common interest, and while Rose was my first culinary protagonist I doubt she’ll be my last. There’s that badass garlic-wielding vampire-slaying French chef in one of my unfinished manuscripts, for example…

Q: Is this the last we’ll hear from this set of characters? Late in the book there’s an intriguing mention of Elijah’s officer friend, Lieutenant Farlow. Might there be more to his story?

A: I’m working on a proposal for Henry Farlow’s story now! It will be a full-length novel.

Q: What are you working on right now, and what do you plan to be working on after that?

A: I’ve got several balls in the air. My next scheduled release isn’t until late 2014–a holiday novella from Carina. But I’m hoping to have at least one and hopefully two releases before then. In addition to Henry Farlow’s story, I’ve got a short Christmas time travel novella in the works, and I’m planning a series based around children and grandchildren of “Wild Geese”–Scottish and Irish Jacobites who took refuge in Spain and France after the failed Jacobite uprisings of the 18th century.

Thanks, Susanna, for stopping by! My ears pricked up at “Christmas time-travel novella” (?!), so you can be sure I’ll be watching for that :)

Susanna will be giving away an electronic copy (PDF, epub, or kindle) of A Dream Defiant to one randomly chosen commenter on this post. Tell us your favorite romance – from book, film, or TV – with a military/wartime setting. Star Wars counts! (But if you say “Anakin Skywalker and Queen Amidala in the prequels,” you will be immediately disqualified from the drawing.) (Not really.)*

Leave a comment by 11:59:59 PM Pacific time on Friday, August 2nd for a chance to win!

*Any comment at all will be entered in the drawing. “I want to win,” “I’ve never liked any military romance,” and “Rick and Ilsa in Casablanca, obviously” are all valid entries.   

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Update, personal

My father passed away very early this week. I mentioned this on Twitter already, but in case there are blog readers who don’t follow me on Twitter but who did read the last “Update, personal” post, I thought I’d mention it here too.

I don’t really have anything more to say than that. The feelings are all pretty raw right now, as I imagine anyone who’s been through this themselves can attest.

I do have a book release coming up next week, and though my promotional efforts will probably be kind of subdued, I’ll keep up with the giveaways. Thanks in advance for your understanding if I’m not at my public-relations best.

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The first round of DABWAHA voting is over, with mixed results for Team Cecilia Grant. A Lady Awakened was beaten decisively by Courtney Milan’s The Duchess War (sorry, everyone who’d picked it in their bracket! I tried to warn you!). A Gentleman Undone squeaked by Julie Anne Long’s A Notorious Countess Confesses, earning it a second-round matchup with… wait for it… Courtney Milan’s The Duchess War!

Something, clearly, needs to be done about The Duchess War. And it happens I have something in mind.

You’ve all read The Duchess War, right? Well, between you and me, you know what there was too much of in The Duchess War? Plot. Also, nuance. And themes. And accurate historical detail about things like hygiene committees and how a handbill got printed in the year 1863.

And you know what there was not nearly enough of? The hero and heroine getting their mutual freak on in the City of Lights!

So, to lure a few undecided voters my way, and also to gratify the little hearts of all those good people who believe romance writers to be nothing but a bunch of smut peddlers, I hereby pledge to write and post an original piece of smutty Duchess War fan fiction if A Gentleman Undone emerges triumphant from the second round (voting runs March 23 from 0:00 AM to noon, Central Time).

I’m thinking of starting it something like this…


“Minnie, look down.”

Against her cheek he murmured those words, his breath trifling with a stray strand of her hair, his rough timbre prompting such a shiver as made her glad of the wall at her back.

Minnie looked down, into the space he’d opened up between them when he’d drawn half a step away to fumble with his trouser fastenings.

Oh my.



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